Showing posts with label gold filled. Show all posts
Showing posts with label gold filled. Show all posts

Saturday, October 17, 2009

Designing with Gold Filled Components




Gold-filled jewellery differs from gold vermeil in both the quantity of gold involved and the process which bonds it to the base metal. Where gold vermeil is achieved by an electrochemical process known as electroplating, gold-filled jewellery is made using a mechanical process that uses intense heat and pressure to attach the gold surface layer to the base metal.

For a piece of jewelry to be legally stamped with the telltale 'GF' marking, its weight must be at least 1/20th gold. This explains the typical stamp you'd expect to see on gold filled articles: "1/20 12 kt GF", which means that 5 percent of the piece is 12 karat gold. Because the surface layer of gold-filled jewelry is about 100 times thicker than that of gold vermeil jewelry, gold-filled pieces tend to last much longer, and are considered 'lifetime jewelry.'

Naturally, they are also more expensive than gold vermeil as they simply contain more gold. The price still represents a significant break when compared with solid gold, however, and since gold-filled jewelry is virtually indistinguishable from pure gold in terms of appearance, feel, and wear, it is thought to be a great balance of cost and quality.

Click here to browse Gold Filled Chains at Stones and Findings

Click here to browse Gold Filled Findings at Stones and Findings

Friday, August 14, 2009

Metal Allergies -- Sterling Silver and Gold Karats



People are allergic to metals for 2 main reasons; nickel and, less often, from salts leaching out of copper. Nickel is the main concern with roughly 12% of all women and 6% of males are allergic to nickel. Furthermore, even people with no history of nickel allergies will develop them over time if their skin makes regular contact with nickel. Most metals used in jewellery making such as silver, gold, rhodium, platinum or palladium are not known to cause allergic reactions in their pure forms. However, these metals are commonly alloyed with other metals to reduce cost, to make the metal more durable or to make the metal easier to work with.



Semi-precious and fashion jewellery comes predominately in a gold or silver tone. For gold tones, it can be karat gold, gold-filled, or achieved with gold plating over a base of sterling silver- a process known as gold vermeil- or, simply brass coated with clear lacquer. Brass, even with lacquer coating, is never recommended for jewellery making because it tarnishes extremely quickly and discolours to a patina green or black and leave marks on the skin. Copper has a fairly good reputation among people with sensitive allergies, but it too can generate rashes on the skin of the wearer as a result of the salts that are gradually teased out of the metal, causing dermatitis with prolonged exposure.

While karat gold and gold-filled can be brought back to their original shine, plated metals can not, and more people tend to be allergic to plated jewellery. Plating is thin and comes off easily with wear, and also there is leaching of the base metal. For these reasons, is not recommended for better quality or hand crafted jewellery. It is most often used in imported and low-end mass market jewellery.




Since people aren't allergic to gold but rather the base metals it is alloyed with, high purity is ideal. The higher the karat, the more pure, the fewer people are allergic to it. Unfortunately a person with a strong sensitivity to nickel will find that even 18 karat gold may be totally unwearable- after all, it is still only 75% pure gold. The same holds true for gold-filled, which also has different levels of gold purity.



Silver tones in jewellery are most commonly achieved with sterling silver, nickel-plating over a base metal, or pewter with a lacquer coating. Pewter has a steel grey colour, which is not desirable for some markets. It is a popular casting metal, but it is also soft, making it a less favourable metal for findings such as earring hooks and clasps. Pewter has a remarkably clean allergy track record, and problems only arise when the metal is alloyed with, surprise surprise, nickel. Many manufacturers go out of their way to notify clientele that their pewter is nickel-free, and you shouldn't be shy about inquiring if you are ever unsure.

The same people who react to low-karat gold jewellery will almost certainly also react to cheap silver jewellery, a function of the same culprit: nickel. Silver-looking articles sold for bargain prices have been found to contain as much as 78% nickel, sometimes coated with a silver layer that unfortunately does little to protect the skin of the wearer. Even worse is nickel silver, or so-called German silver, which is 90% nickel and 10% tin. Nickel is incidentally also responsible for occasional allergic reactions to surgical grade stainless steel (8-12% nickel), which for that exact reason is rapidly being replaced by titanium for body implants and orthodontic work.

Sterling silver, finally, is also sometimes partly alloyed with nickel, but has rarely been known to cause breakouts or rashes. This is the case because sterling silver is still (by definition) 92.5% pure, with the remainder usually accounted for by copper, which in such small concentration has never been reported to cause skin maladies. In cases where nickel is used as well as copper to make up sterling silver's remaining 7.5%, the percentage is still far too low and inactive even to offend the skin of someone with strong nickel sensitivity.

When gift giving, you should always be sure how sensitive the intended recipient's skin is. When designing for resale, one should always be conscious of perceived value. Sterling silver and gold are much more popular and this value will translate into more sales. If time and effort is to be invested in a unique design and hand crafting, one should use only sterling and karat or gold-filled metals.

Reference Charts -- A Jewelry Maker's best friend :)




When working with jewelry, putting everything into inventory and organizing all the stuff you just bought online into your collection....you'll come across metric vs imperial increments, gages, weights -- god knows what.

Best thing to do is print out these reference charts and keep 'em handy.
I use them all the time so my head doesn't blow up when I receive a new shipment!


INCHES TO MILIMETERS



Inches Millimetres
1/32 0.79
1/161.59
3/322.38
1/83.18
5/323.97
3/164.76
7/325.56
1/46.35
9/327.14
5/167.94
11/328.73
3/89.53
13/3210.32
7/1611.11
15/3211.91
1/212.7
17/3213.49
9/1614.29
19/3215.08
5/815.88
21/3216.67
11/1617.46
23/3218.26
3/419.05
25/3219.84
13/1620.64
27/3221.43
7/822.23
29/3223.02
15/1623.81
31/3224.61



MILIMETERS TO INCHES




Size in Millimetres Nearest Equivalent in Inches
11/32
21/16
31/8
45/32
5 3/16
6 1/4
7 9/32
8 5/16
9 11/32
10 3/8
11 7/16
12 15/32
13 1/2
14 9/16
15 19/32
16 10/16
1711/16
18 23/32
19 3/4
20 13/16




NECKLACE LENGTHS


Choker 16 Inches
Princess18 Inches
Matinee24 Inches
Opera32 Inches
Rope48 Inches




WIRE GAUGES







Gauge Inches
(Decimal)
MillimetresInches
(Fraction)
10.2897.348
20.2586.543
0.2506.3501/4
0.2345.95315/64
30.2295.827
0.2195.5567/32
40.2045.189
0.2035.15411/64
0.1884.7623/16
50.1824.621
0.1724.36611/64
60.1624.115
0.1563.9695/32
70.1443.664
0.1413.5729/64
80.1283.263
0.1253.1751/8
90.1142.906
0.1092.7787/64
100.1022.59
0.0942.3813/32
110.0912.31
120.0812.06
0.0781.9845/64
130.0721.83
140.0641.63
0.0631.588
150.0571.449
160.0511.291
0.0471.1913/64
170.0451.14
180.041.02
190.0360.91
200.0320.81
0.0310.7951/32
210.0280.71
220.0250.64
230.0230.58
240.020.51
250.01790.455
260.01590.404
0.0160.3961/64
270.01420.361
280.01260.32
290.01130.287
300.010.25
310.00890.226
320.0080.2
330.00710.18
340.00630.16
350.00560.142
360.0050.13
370.00450.114
380.0040.1




INTERNATIONAL RING SIZE CONVERSION CHART



US / CanadaBritishIrishAustralian
1/4
1/2A
3/4A 1/2
1B1
1 1/4B 1/2
1 1/2C
1 3/4C 1/2
2D21.5
2 1/4D 1/2
2 1/2E32.75
2 3/4E 1/2
3F44.00
3 1/4F 1/255.25
3 1/2G
3 3/4G 1/2
4H7
4 1/4H 1/27.75
4 1/2I8
4 3/4J9
5J 1/29
5 1/4K10
5 1/2K 1/210
5 3/4L11.75
6L 1/21112.75
6 1/4M12
6 1/2M 1/21314
6 3/4N
7N 1/21415.25
7 1/40
7 1/20 1/21516.5
7 3/4P
8P 1/21617.75
8 1/4Q
8 1/2Q 1/217
8 3/4R19
9R 1/218
9 1/4S20.25
9 1/2S 1/219
9 3/4T21.5
10T 1/220
10 1/4U21
10 1/2U 1/22222.75
10 3/4V
11V 1/223
11 1/4W25
11 1/2W 1/224
11 3/4X
12X 1/22527.5
12 1/4Y
12 1/2Z2628.75
12 3/4Z 1/2
1327
13 1/4Z1
13 1/2
13 3/4Z2
14Z3
14 1/4
14 1/2Z4
14 3/4
15
15 1/4
15 1/2
15 3/4
16


LENGTH AND WEIGHT MEASUREMENT CONVERSION CHART


To Convert...Into...Multiply By...
centimetresinches0.394
feet0.0328
metres0.01
millimetres10
metrescentimetres100
feet3.281
inches39.37
inchescentimetres2.54
feet0.0833
metres0.0254
yards0.0278
yardsinches36
feet3
metres0.914
grammesounces0.035
pounds0.002
kilogrammes0.001
ouncesgrammes28.35
pounds0.0625
kilogrammes0.028
poundsgrammes453.59
ounces16
kilogrammes0.454



WIRE WRAP STRENGTH STANDARDS



Wire Guage Acceptable WeightStretch-Causing Weight
26 dead soft350g400g
26 soft450g500g
26 half hard600g650g
26 hard900g1000g
24 dead soft1250g1500g
24 half hard1700g2000g
22 soft4000gover 4000g




WIRE GAUGES VS. STONE AND DRILL HOLE SIZES


Stone SizeHole Diameter (mm)Wire Guage #Wrap Times
smallless 0.5261
small0.5 ~ 0.8262 ~ 3
medium0.8 ~ 1241
medium1.1 ~ 1.5242 ~ 3
medium ~ big1.6 ~ 1.8221
medium ~ big1.9 ~ 2.5222 ~ 3
bigover 2.5201 ~ 2



There are obviously so many other charts you'd probably need, but I find that these are the ones I need the most! Feel free to contribute!

Thursday, July 9, 2009

Creating your Own Hammered Finish



Creating your own hammered finish on sterling silver, gold filled or gold vermeille components is easy.


For the following , I will be using sterling silver as examples. Since there are many different types of hammer heads, this leads to an endless list of possibilities! Some tools you can consider to change the look are: a ball peen hammer, a flat nose hammer, a rawhide hammer, or a wooden hammer. Each hammer will give your sterling silver, gold filled or gold vermeille component a different result. When you are hammering your metal, try out a couple different bases underneath. You could use a piece of wood, which is a soft base, and this will provide some give to the metal, and it can bend. Depending on where you hammer your sterling silver, it can move the metal in small amounts. Try it out on a test piece to see what type of hammer dent will provide what you're looking for.

Another base is a steel block. When hammering on the steel block you will not only be creating a finish on the side you are hammering, but you will also be creating another finish on the side of the sterling silver component that is facing the steel.



*TIP* if you do not want to dent your hammer or your anvil's finish, put some masking tape on the surface you will be using, it will lessen the likelihood of you damaging your tools.

There are many bases that will give different looks pending on the hammer and the amount of resistance your surface will give. I've used a hockey puck as a base once, so I was able to easily give a hammered effect to one side of the sterling silver component, yet the other side was not affected and did not dent the same way as if it was on a harder surface like a steel block.

*TIP*Keep in mind when holding your hammer, do not point out your index finger, since this can result in injury. You want to hold the hammer at the end of the handle for the most effective hit. And be sure to use your whole arm and elbow. Misuse of a hammer can often result in wrist injuries as well.




A ball peen hammerhead will create metal divots, and pending on the size of your hammerhead, you can have something similar to pointillism or even something large like a creator and everything in between. With this you can create many unique and diversified looks on your sterling silver components.



A flat nose hammerhead will create a line. This type of simple mark can be used for a wide range of designs. For example you can fan out the pattern on your sterling silver component, or you can crisscross it like a pile of sticks.




Feel free to try out this technique, I guarantee you will have a lot of fun with it, and it can also be a great stress reliever!

Saturday, July 4, 2009

How to Create your own Jewellery Pins

There are three standard jewellery pins; head pins, ball pins, and eye pins. And then, there are always unique jewellery pins that provide a cap with in the in pin itself. Stones and Findings a wide variety of pins, including ball pins , eye pins , head pins as well as fancy pins in sterling silver, gold filled and gold vermeille.



However there are times when all you need in your design is just the bead. If your design requires nothing fancy on the end of your pin, then there is a great way to create your own pin head. This works especially well with pearls. Often basic pins are a little too thick for your standard drill hole on a pearl, too. The examples below demonstrate how you can make the different types of pins, using Sterling Silver Wire. You can however, just as easily use Gold Vermeille or Gold Filled wire.



Head Pin

Simply take a section of your sterling silver 22 Gauge wire, and cut off the desired length for your pin. Then put this section of sterling silver wire, into your parallel pliers, leaving a millimeter peeking out at the end. With a flat nose hammer, hammer the exposed bit of your sterling silver wire with a few strikes. Hammer in one direction, and then take out the pin and rotate it a quarter of the way. Then continue to strike the sterling silver tip. This will expand the metal just enough to stop your bead from sliding off the end of the wire. By rotating your piece ofsterling silver wire, you will ensure that the end of the pin is equally fanned out. And there you have it; you've created your own sterling silver head pin.



Now to the naked eye, it may not seem like you've created something that will stop the pearl, but by creating a small flat end on your sterling silver wire you will essentially stop it from sliding off.

*TIP* - to get a professional finish, use an old pair of parallel pliers, or wrap masking tape around your pliers ends to ensure that you do not leave any hammer marks on your sterling silverpins.

Eye Pin




Start by taking the end of your sterling silver 22 Gauge wire, and using your round tip pliers, bend into a small circle at the end of your wire piece. Then, depending on the length you need for your project cut about 1cm or more from your sterling silver wire. This will allow you to have extra room to wire wrap once you've put your stones or beads onto the finished sterling silver eye pin.



Ball Pin

For this project, it would be ideal to have access to a torch. With it you can heat up the end of your sterling silver wire, applying a small amount of heat and the metal will ball at 1640f/893c. Once your sterling silver wire has started to ball, take the heat away, quench and polish the piece and then you will have your home made sterling silver ball pin.



*TIP* - if you are using soft sterling silver wire and find it too soft for your project, take the section needed and hold it from end to end with your two parallel pliers. Then twist the piece of sterling silver wire in opposite directions and it will harden a bit. Twist it a lot and you'll have your soft sterling silver wire to harden in no time!